Ear-Training and Sight-Singing |
M131031-M131037, M301030
Students should take this course every semester for two years upon their admission. However, if a student
passes the final qualifying exam which is given every semester, the student does not have to take all four
courses. Student who passed the final qualifying exam earlier than other students will get a grade of A+ for
the course, and should take another courses for the substitution. |
|
Vocal Ensemble |
M104011-M104012, M112281-M112285, M114051-M114052, M212110, M513051-M513054, M514171-M514177
Students participating in this course will make several groups of ensembles. The class will be held separately
group-by-group, and the grade will be given according to their public performance at the end of a semester. |
|
Class Piano |
M122331-M122337
Students majoring in voive need to have basic performance ability in keyboard instruments. A student can be
exempted from this course if he or she has already reached the required level of piano performance. |
|
Diction |
M522061-M522065; Germany: M112541-M112542, M52214; French: M112521-M112522, M163801-M163802, M522130; English: M112511-M112512; Italian: M112531-M112532, M522120
This course focuses on the study of the Italian, German, French, or English pronunciation and its correct vocal
production with regard to clarity, expression, and interpretive values. |
|
Vocal Literature |
M112381-M112384
This course applies and expands the skills learned in other classes, and explores historical and stylistic concerns
in the vocal repertoire. |
|
Applied Study |
M101011-M101020, M202010, M202020, M212010, M222010, M232010, M301010, M412041-M412044, M422041-M422044, M422052, M442054, M512011-M512016, M512041, M522011-M522016, M522041, M522051-M522056, M542011-M542016
The term exam of this course is a pubic performance, and the final public performance at the end of the class
is the graduation performance. |
|
Singing Technique and Theory |
M412091-M412093
With various scientific and practical approaches to language, repertoire, and the structure of the stage, this
course studies about different vocalizations in music. |
|
Physical Exercise |
M553011-M553013
Through yoga, dance, and fencing, students will learn how to relax their body and soul on such a tense place
like stage. |
|
History of Stage |
M542041-M542042
This course includes history of theatre and history of costumes. |
|
Special Studies in Stage Effect |
M542051-M542052
This course includes a study about lightning and make up. |
|
Workshop |
Wind: M122051-M122052, M122272-M122277, M522151-M522154, M422291-M422292; Brass: M122171-M122176; Guitar: M122561-M122567; Double Bass: M122141-M122146; Recorder: M122041-M122044; Woodwind: M122161-M122166; Violin: M122111-M122116; Conducting: M103041-M103049, M142310; Percussion: M122617, M122640; Piano: M122230, M122441-M122447, M124010; Harpsichord: M122521-M122527; Harp: M122581-M122587, M124040; String: M122250, M122431, M122532-M122537, M124030
While the Applied Study course is a one to one private lesson on the specific musical instruments of one's own
major, a workshop course is carried on in the form of public discussions. A student will perform in front of
many professors and students of different majors, and after the performance, a round discussion and evaluation
on the student's performance will follow. |
|
Chamber Music |
M122301-M122309, M124020, M222050, M424031-M424035, M522111-M522116, M524021-M524025
To improve ensemble skills, students participating in this course will make several groups of chamber ensembles
and take a lesson group by group. The grade will be given according to their public performance at the end of
a semester. |
|
Piano Pedagogy |
M122221-M122222
Through a systemic study on the modern piano pedagogies, students will learn how to improve their musical
sensitivity on keyboards. |
|
Keyboard Harmony |
M122341-M122345, M133051-M133052, M142031-M142034
Students who are familiar with harmony and improvisation will be exempted from taking this course. |
|
Basso Continuo / Figured Bass |
M122471-M122473, M524041-M524043
The core of the Baroque music is the figured bass. Students will learn skills and theories of transferring
the figured bass into real music. |
|
Music Analysis and Interpretation |
M212231-M212232, M222131, M412051, M414151-M414152, M514161-M514162, M544071
In order to be a professional performer, a deep understanding on the style and the structure of music is
needed. Throughout this course, a student will learn how an analytical interpretation of music can
influence performance. |
|
Studio Accompaniment |
M522081-M522086
Through various accompaniment works to solo performers in a class, in a studio, in a final term examination,
in a workshop, or in a master class, a student will gain a variety of experiences and capacities as a fine
accompanist. |
|
Music Analysis |
M132011-M1320124, M132581-M132585
This course especially focuses on the Western music from the 18th to 19th century. Students will choose
some important pieces in this era, and analyze their musical contexts according to the viewpoints of
the composers. A re-interpretation of classical repertories will enable composition major students to
comprehend musical styles that brought forth the contemporary style of composition. |
|
Music and Computer |
M103101-M103102, M132231-M132232
Introductory studies on the computer-based music including computer scoring, MIDI sequencing, audio editing, and
audio CD production. |
|
Sound Syntheses |
M103111-M103112, M132241-M132242, M463131-M463132
This course is provided to understand the fundamental sound theories and to produce electronic
sounds based on these understanding on sound. At first, students will learn about the analog sound
synthesis by using Nord Modular and Roland System 100M, and then they will study sound samplings by
using K2500, 2600. |
|
Real-time Control |
M463021-M463024
In this course, students will learn about how to control audio data, MIDI and light equipments by MAX/MSP
and KYMA in real-time. A study on a gesture input by a sensor will be also practiced. |
|
Practice in Performance Technique |
M463100
Graduates students from the School of Drama and the School of Dance will participate in this course because
this course deals with various real-time interactive techniques that are usually used in theatre, dance,
or mime. Graduate students from the School of Music who wants to take this course should take the
Real-time Control course first. |
|
Computer Music Programming |
M463051-M463053
Students will study about several software programs such as LISP, and Music in C that are generally used
in music studios. The production of the creative music software is given to an individual student as a
final assignment. |
|
Acoustic Psychology |
M463070
Students will learn about the basic psychological aspects of the way a human perceives sound. Sometimes,
students are asked to make a program for the acoustic experiments. |
|
Musical Acoustics |
M463111
From the basic physics of musical instruments to the analysis of stereo sound, this course deals with
all the acoustic sounds related to musical performance. |
|
Studio Technique |
M103121-M103122, M463080
All the advanced studio techniques such as recording, editing, mastering, and controlling a console
table will be learned. Live recording in the theater will be one important requisite of this course. |