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| Department of Composition |
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| Through constant trainings in the Western and Korean musical grammars, students in the Department
of Composition can compose creative music pieces. Students are trained in practical music, video music,
dance music, computer music and other assorted fields of music. The Department of Composition also focuses
on developing students' expertise in score reading and writing. Moreover, students should master at least
one musical instrument besides one traditional Korean musical instrument. Each semester, students will have
a concert with music they compose, and publications of their music are highly encouraged. |
 Offered Programs |
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| Undergraduate (B.M.), Graduate (M.A., Two-Year), Preparatory Training |
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| Faculty |
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Young-cho Lee
B.M., M.M., Yonsei University, Korea
DMA, American Conservatory of Music, Chicago, U.S.
Diploma, Muenchen School of Music, German
Chairman, American Conservatory of Music, U.S. |
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Byung-eun Yoo
B.M., Seoul National University, Korea
M.M., University of Michigan, U.S. |
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Sung-Ho Hwang (http://www.knua.ac.kr/hwang/index.htm)
B.M., Seoul National University, Korea
Diploma, Brussels Royal Conservatory, Belgium |
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| Curriculum |
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| Composition/ Bachelor of Music |
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Courses
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Credits |
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Sem1 |
Sem2 |
| Compulsory |
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First Year |
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| Applied Study I, II |
2 |
2 |
| History of Music I, II |
2 |
2 |
| Ear-Training and Sight-Singing I-IV |
2 |
2 |
| Required Listening I-VI |
S/U |
S/U |
| Chorus I, II |
1 |
1 |
| Advanced Harmony I, II |
2 |
2 |
| Practice in Traditional Instrument I, II |
1 |
1 |
| Minor Instrument I, II |
1 |
1 |
| Composition Workshop I, II |
1 |
1 |
| 18th Century Counterpoint I, II |
2 |
2 |
| Music and Computer I, II |
1 |
1 |
| Second Year |
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| Applied Study III, IV |
4 |
4 |
| History of Music III, IV |
2 |
2 |
| Ear-Training and Sight-Singing I-IV |
2 |
2 |
| Required Listening I-VI |
S/U |
S/U |
| Chorus III, IV |
1 |
1 |
| Practice in Traditional Instrument III, IV |
1 |
1 |
| Minor Instrument III, IV |
1 |
1 |
| Composition Workshop III, IV |
1 |
1 |
| 16h Century Counterpoint I, II |
2 |
2 |
| Contemporary Music I, II |
2 |
2 |
| History of Korean Traditional Music I, II |
2 |
2 |
| Sound Synthesis I, II |
1 |
1 |
| Third Year |
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| Applied Study V, VI |
4 |
4 |
| Required Listening I-VI |
S/U |
S/U |
| Practice in Traditional Instrument V, VI |
1 |
1 |
| Minor Instrument V, VI |
1 |
1 |
| Composition Workshop V, VI |
1 |
1 |
| Music Analysis I, II |
2 |
2 |
| Orchestration I, II |
2 |
2 |
| Contemporary Music III, IV |
2 |
2 |
| History of Korean Traditional Music III, IV |
2 |
2 |
| Fourth Year |
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| Applied Study VII, VIII |
4 |
4 |
| Practice in Traditional Instrument VII, VIII |
1 |
1 |
| Composition Seminar |
1 |
1 |
| Total Credits Requirement for Bachelor's Degree |
140 |
| Composition/ Master of Arts (Two-Year) |
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| Courses |
| Credits |
Freq |
| Compulsory |
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| Composition Applied Seminar |
2 |
4 |
| Composition Seminar |
1 |
4 |
| Electives |
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| Analysis of 20th Century Music |
2 |
2 |
| Analysis of Tonal Music |
2 |
1 |
| History of 20th Century Music |
2 |
1 |
| 20th Century Orchestration |
2 |
1 |
| Analysis of Korean Traditional Music |
2 |
2 |
| Special Seminar |
2 |
4 |
| Total Credits Requirement for Master's Degree |
36 |
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